It took
me a while to figure out where to start. I've read a metric shite-load of
comics over the past ~2 years and what I decided to do was simply review the
one I've read the most recently.
Thanks to
some financial struggles and ultimately caving in to the realization that as
much as I love physical copies of books and comics, I just couldn't pass up on
the opportunity to read the (almost) entire backlog of Marvel comics for the
same price as a Spotify subscription (also completely worth it by the way;
seriously, just get it, if for no other reason than to avoid those repetitive
commercials by that God-awful chick with the nasally voice), I decided to read
this run based on some rave reviews by a number of online X-fans.
Some
spoilers (but not a lot) ahead… but it’s like 10 years old, so, c'mon.
A little
background on the series: Joss Whedon, writer of many-a-favorite tv series such
as Buffy the Vampire Slayer and the apparent
second-coming-of-Christ-for-nerds-in-tv-form series: Firefly, wrote the series
over the course of approximately 4 years. Now, keep in mind that most Marvel
comics issues release monthly and there are 24 issues (and 1 special conclusion
issue) in this run... doesn't add up. Well, Whedon took his sweet time on the
story, but thank God for it because it fucking shows.
Holy
hell, I've read a lot of X-Men and this is easily one of the top runs ever
created.
As far as
the plot is concerned, the run is broken into 4 story arcs. The first and
probably most well-known is the story of the cure for the mutant gene, a plot
that has been done many times since, as well as touched on before, but never
with quite the punch as is done here. This arc, which influenced the plot of the 3rd X-Men
movie is an excellent intro to Whedon's status quo. Cyclops, Emma Frost,
Wolverine, Kitty Pryde, Beast, and Colossus make up our A-Team. The following 3
arcs cover the AI embodiment of the Danger Room, the return of the Hellfire
Club, and the battle of the Breakworld which concludes the series-long sub-plot
of S.H.I.E.LD.'s companion/foil organization: S.W.O.R.D. and a prophecy
involving the destruction of an alien race.
All of
the stories are above average in their own right. The second story arc less-so,
but they ultimately all succeed in entertaining and kicking some serious ass! What really makes
the stories told here stand out though, is Whedon’s ability to plant seemingly
unimportant seeds that end up growing into major plot points later in the
series. For example, a strange and seemingly simple throwaway of a scene that takes
place early on in the Danger Room is called on issues later in a much larger
capacity. This ability to cohesively combine 4 separate, yet naturally
progressive and integrated stories makes the series shine.
But where
Whedon truly shows his capability as a writer, is in his characters.
Our core crew stands out as being some of the best written versions of themselves in the over 40 years of X-Men history. Tagging
along in our awesome adventure is a wonderful assortment of fantastic side
characters that are fully fleshed out such as Hisako "Armor" Ichiki,
Ord the ugly-ass alien from the Breakworld, and Agent Abigail Brand of the aforementioned S.W.O.R.D. Together with our
main crew of X-Men Whedon has crafted an ensemble of unbelievable characters
that somehow manages to be extremely real at the same time. Whether it’s the
interactions between our core crew members as they argue and struggle
internally as a group, or when they’re interacting with the morally gray side
characters that round out the cast, Whedon never trips over dialog. Every
interaction seems real given the context and never feels dialed in. Of course
it wouldn’t be Whedon if it wasn’t incredibly witty, and there’s plenty of that
to go around, especially from Kitty.
And speaking of Kitty, holy hell. I never thought it could be possible, but she has become one of my all time favorite X-characters and it’s all thanks to Whedon’s run. Kitty, who has a history riddled with annoying personalities, questionable decision-making, and a moral compass that will make you yawn, has never been more fully fleshed out. While all of the characters shine in Whedon’s run, Kitty (and perhaps Emma to a lesser extent) is the breakout star. She’s tough, but it comes naturally and it never feels forced. She’s hilarious at times as well. Her relationship with Colossus is necessarily complex and well-executed. She’s also never seemed more like an adult. Now a teacher at the school (in the absence of half our original X-Cast including the professor) she’s not afraid of her sexuality, not afraid of sacrifice, and not afraid to make the tough decisions. Without giving away too much, let’s just say her development from the first issue to the last will leave you fully satisfied.
Emma
likewise is facing a great deal of character development here. Her complicated
past and relationship with Scott become major plot-points and it was awesome to
watch her character evolve into someone truly sympathetic by the end. Scott
himself has a similar development if not a bit more been-there-done-that in
execution, (Jean’s gone again. We get
it, they’re soul-mates.)
Beast is always a difficult character to assess, and rightfully so. He has become such a reviled character over the years that recent issues of X-Men have gone out of the way to bring attention to how much Beast is a fuck-up. Again, in Whedon’s capable hands, we see a completely sympathetic side to Beast as he struggles with his “devolution” as a mutant that is slowly becoming more beast than man – which does occasionally lead to some hilarious situations involving Beast’s capacity to behave like a cat.
The perks of bein' small. |
Really
though, what sets Whedon apart from other X-writers is his ability to perfectly
juggle great plot, fantastic characterization, dramatic and humorous tone,
great pacing, and respect for the source material (the return to old-school
uniforms is much appreciated). Astonishing X-Men by Joss Whedon is truly a
masterpiece that should not be skipped by X-Fans and comics fans alike.
Before I
close out, I’ve gotta give credit to the artist, John Cassady. At first I wasn’t
so sure about the largely realism-styled art after having finished a lot of
Ultimate X-Men and its more comic-booky art, but it ended up really suiting the
series well, especially when it came to expressing character emotions in a way
that seemed more realistic than a lot of more over-the-top depictions. Cassady also apparently has a mastery on the human figure, particularly muscles, because whenever I see his interpretation of Colossus, I am instantly rendered forever small. If this doesn't get your ass back to the gym, I don't know what will.
Looking swole, Peter. Chest game on point! |
All in all, fantastic stuff.
4.5/5 stars
4.5/5 stars
Now go read it.